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Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院F调的宝石蓝麦迪逊河谷第一季去海边吧天师归来工口男友令我着迷始饭好好的时光无情大地有情天喵酱妹妹帮我追女神吧幸存者：泰国 第五季域健康脱口秀第三季怪物2023特工科恩第一季梦裸岛马洛诺：为蜥蜴制鞋的男孩十亿叶卡捷琳娜大帝 第四季冷血十三鹰 冷血十三鷹刺马玉观音2003电影版密室逃生蜜月惊魂195624小时第五季人鱼秘境第三季狐妖传说金粉游龙奥托·布鲁姆的一生地下诊所第一季
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院F调的宝石蓝麦迪逊河谷第一季去海边吧天师归来工口男友令我着迷始饭好好的时光无情大地有情天喵酱妹妹帮我追女神吧幸存者：泰国 第五季域健康脱口秀第三季怪物2023特工科恩第一季梦裸岛马洛诺：为蜥蜴制鞋的男孩十亿叶卡捷琳娜大帝 第四季冷血十三鹰 冷血十三鷹刺马玉观音2003电影版密室逃生蜜月惊魂195624小时第五季人鱼秘境第三季狐妖传说金粉游龙奥托·布鲁姆的一生地下诊所第一季