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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院特快列车燕子李三2019诡探最后之子精卫填海再见爱人第五季大使的厨房尚道，上学去美丽的日子狼女传奇最爱2019公社摇曳百合暑假时光副总统第一季黑幕风云(剧版)堕入地狱比利时国王鬼吼断魂刀活佛济公 第三季哥斯拉2014赫尔豪森-金钱之父寄生魔偶害时出世荔枝树下热烈岛群盗：民乱的时代东京复仇者 圣夜决战篇落魄律师文森佐 第一季阿米娜女同谋粉红色潜艇
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院特快列车燕子李三2019诡探最后之子精卫填海再见爱人第五季大使的厨房尚道，上学去美丽的日子狼女传奇最爱2019公社摇曳百合暑假时光副总统第一季黑幕风云(剧版)堕入地狱比利时国王鬼吼断魂刀活佛济公 第三季哥斯拉2014赫尔豪森-金钱之父寄生魔偶害时出世荔枝树下热烈岛群盗：民乱的时代东京复仇者 圣夜决战篇落魄律师文森佐 第一季阿米娜女同谋粉红色潜艇