量子
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缺集或无法播，更换其他线路.非凡
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剧情介绍
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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院东城寿司博格对战麦肯罗马勒冈的超级男孩教皇诞生湖中女人美国黑人魔法协会盗兵符 盜兵符感应时速之暴走飞车空空如也方队权力的游戏第五季突然家人九回时间旅行2005年中央电视台春节联欢晚会纯粹的激情染血将军的凯旋我们的队伍向太阳 20249号秘事第五季盖文·斯通复活东北往事：我叫刘海柱无耻家庭之无耻堂昨天我们还是孩子龙岭迷窟新宿纯爱物语英雄戟之影子战士大人物1942疼痛的风景生之敌毒玫瑰1966以一当百的管家
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院东城寿司博格对战麦肯罗马勒冈的超级男孩教皇诞生湖中女人美国黑人魔法协会盗兵符 盜兵符感应时速之暴走飞车空空如也方队权力的游戏第五季突然家人九回时间旅行2005年中央电视台春节联欢晚会纯粹的激情染血将军的凯旋我们的队伍向太阳 20249号秘事第五季盖文·斯通复活东北往事：我叫刘海柱无耻家庭之无耻堂昨天我们还是孩子龙岭迷窟新宿纯爱物语英雄戟之影子战士大人物1942疼痛的风景生之敌毒玫瑰1966以一当百的管家