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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院小心！我要放大招了套路之王云朵探案追踪者游戏W2日子嫌疑人恶之教典丑女贝蒂：故事继续 第二季偏爱之恋犯罪现场调查第七季人肉农场地狱厨房(美版) 第十二季天使神差九纹龙史进之除恶史家村荒野求爱第二季浪子神探 第一季车顶上的玄天上帝伪装者第一季大天空河太空先锋乌托邦2024教祖之女夏日囧途弹一下脑门对分手造成的影响遇见2021低度开发的回忆南边有你大陆酒店第一季冲破迷雾(原声版)珍珠翡翠白玉汤
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院小心！我要放大招了套路之王云朵探案追踪者游戏W2日子嫌疑人恶之教典丑女贝蒂：故事继续 第二季偏爱之恋犯罪现场调查第七季人肉农场地狱厨房(美版) 第十二季天使神差九纹龙史进之除恶史家村荒野求爱第二季浪子神探 第一季车顶上的玄天上帝伪装者第一季大天空河太空先锋乌托邦2024教祖之女夏日囧途弹一下脑门对分手造成的影响遇见2021低度开发的回忆南边有你大陆酒店第一季冲破迷雾(原声版)珍珠翡翠白玉汤